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New Marani Wines Are In

Georgian Wine Doesn’t Need a Story — It Needs a Second Glass

  • Writer: Julia Koroleva
    Julia Koroleva
  • 36 minutes ago
  • 3 min read

Georgian wine is often introduced with history first.Eight thousand years. Clay vessels. Ancient traditions. Long explanations before the bottle is even opened.

But in practice, that’s not how people fall for these wines.


At Corus Imports, we’ve learned that Georgian wine doesn’t need to be framed or defended. When poured properly, it speaks for itself. Not through mythology—but through repetition. One glass leads naturally to another, and that’s where loyalty begins.


The First Glass Is About Curiosity

For many drinkers, the first glass of Georgian wine is unfamiliar territory. New grapes. New textures. Sometimes a slightly different color or structure than expected.

The reactions we hear most often are:

  • “This is interesting.”

  • “That’s different.”

  • “I didn’t expect that.”


The first glass invites attention, but it doesn’t demand commitment. It opens the door without asking for belief.


The Second Glass Is About Trust

The shift happens quietly.

After a few minutes—or a few bites of food—something changes. The wine settles. The structure makes sense. The flavors align with the meal.

The second glass is where people notice:

  • The wine feels balanced, not tiring

  • The texture becomes more comfortable

  • The acidity refreshes rather than sharpens

At this point, no one is asking about history. They’re pouring again.


Texture Carries the Conversation

Georgian wines often rely on structure rather than aroma to hold attention.

Skin-contact whites and traditionally made reds:

  • Build presence across the palate

  • Evolve as they open

  • Improve with oxygen and time

Wines like Rkatsiteli, Kisi, Chinuri, or Saperavi don’t peak instantly. They stretch out. That pacing is what makes a second glass feel natural, not indulgent.


These Wines Don’t Perform — They Accompany

Another reason Georgian wine doesn’t need a story is that it doesn’t try to dominate.

Across producers such as Marani, Mosmieri, Winera, Vine Ponto, and Rtoni, the wines tend to:

  • Stay dry and savory

  • Avoid exaggerated fruit

  • Finish clean and grounded

They work alongside food rather than above it. When a wine behaves like part of the meal, people don’t analyze it—they continue drinking it.


Familiarity Builds Faster Than Explanation

Long backstories can sometimes create distance. Drinkers feel like they’re being asked to understand before they’re allowed to enjoy.


Georgian wine works in the opposite direction:

  • Enjoyment comes first

  • Questions follow later, if at all


By the second glass, guests may ask:

  • “What grape is this again?”

  • “Do you have another one like it?”

  • “Is this all from the same region?”

The wine earns curiosity by performing, not by persuading.


Why This Matters for Lists and Programs

For wine directors and buyers, second-glass appeal matters more than first-glass intrigue.

Georgian wines succeed because they:

  • Don’t fatigue the palate

  • Hold up across a meal

  • Encourage reordering

That’s why they often move from staff picks to quiet bestsellers. They don’t spike in interest—they sustain it.


Corus Imports Focuses on Re-pour Wines

At Corus Imports, we select Georgian wines with one question in mind: Does this make you want another glass?

Our portfolio prioritizes:

  • Balance over intensity

  • Texture with restraint

  • Consistency from bottle to bottle

From classic qvevri expressions to cleaner, modern styles, these wines are chosen not for how well they tell a story—but for how well they drink.


The Real Story Is in the Empty Bottle

Georgian wine doesn’t need to be explained to be appreciated. It doesn’t rely on novelty or narrative.

When a bottle disappears naturally over the course of a meal, that’s the proof.

No speech required. Just a second glass.


🍷 Discover Georgian wines built for the long table at corusimports.com — and see why the best stories begin after the first pour.

 
 
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